"Based heavily in a Derridean universe of words within words, Mez Breeze's poetics works in an almost antithetical manner. Whereas Derrida and James Joyce operate fundamentally on a linguistics of implosion (or compression; portmanteaus and puns), Breeze operates by explosion. It is easy to dismiss her work as a pastiche on “l33t sp33k” but there is far more happening here than such a superficial read would avail a careful critic. By breaking words down into their principle parts, Mez operates on a principle of addition as opposed to subtraction...So instead of a linear read, you have a poetics which trains the reader to confront it with a sense of simultaneity. That is to say, these poems are often easier to read if you process them holistically (in this sense, to take them as a whole) rather than moving from a beginning to an end as you would with a typical English sentence...
Other various strategies she employs is the extensive use of code
operators such as + and &. Brackets, braces, and parenthesis provide
further elaboration. In essence, where Derrida and Joyce employed
reduction, Mez employs expansion, and the effect (in my opinion) is not
only brilliant, but exclusive to Mezangelle."
-Rollie Bollocks in "Mezangelle: A Reading Strategy".