"...codework's aesthetics map to actual coding practices that are nevertheless themselves highly contingent in their ultimate relationship to other layers of symbolic abstractions in a computer. So it is that the one-to-many ethos of high level languages find immediate concrete expression in Mez's, aka Mary-Anne Breeze's, penchant for polysemic wordplay..."

- Matthew G. Kirschenbaum In "Mechanisms: New Media and the Forensic Imagination"
Jan 2008 MIT Press ISBN:0262113112